They range amongst the upper limbs
like primates encumbered with care,
find parts of trees we'd recognise
as human gestures on the level,
pass rope through crooks of elbows,
bends of knees, and anchor on
to laterals that bear the strain,
the dead weight of the saw
to make their surgery complete.
Down here, we're squinting at the sun
and, grounded by our lack of skill,
point out the deft incisions we require
to lighten up our lives. They make it so,
disguise it in the cut and pay down
branches, green and dying, each
a stretcher's girth, a sleeper's weight.
from New Writing Scotland 30, ASLS, 2012
poem selected for Best Scottish Poems 2012
for Tom Baker
Seen first on the floor of UNIT prone, a miasma
of black and white, that smile not yet in evidence
as the credits rolled, his new form firmed up.
Regeneration absolute, the smile filled up a screen
where interference passed for SFX, jelly babies
were a metaphor for nothing worse than glee.
That scarf too, only some mad simile for DNA,
and topped by floppy curls that any latent hippy
would’ve died for – if they’d spoken like that then.
The Doctor couldn’t do it, couldn’t die, grappled
every cliff-hanger and grinned them out unfazed:
no plastic alien, cardboard spaceship ever up to him.
What was he on, we wondered, seriously stoned,
as the 70s progressed unchecked? That lit-up smile
betokened more than on-another-planet, man.
Out of the box? No way. The TARDIS flew him
off through time and space, dimensions relative
to those we tracked him by – the box we turned on
weekly, watched flicker in a moment back to life.
from Split Screen, Red Squirrel Press, 2012
MAKING THE CHANGE
Each third of a pint
was passed round the class
had their bottle and paper straw,
a hole poked into the foil,
and time to suck
the warm as blood,
or chilled from frosty mornings
governments they’d never heard of
put their way. One extra,
two or three
if more were absent,
made the rounds, an object lesson
in the doing,
in the agitating
all were urged to do
to churn the stuff to butter, fresh
as their amazement
at the trick. The solid,
chilled and spread on biscuits,
oozed and crunched on gappy teeth,
and harking back
to frozen bottles, winter crystals
icy on the gums,
the mystery of transformation,
milk persuading them of change.
from New Writing Scotland 29, ASLS, 2011
When Elizabeth I was informed of the death of Essex
she was playing the virginals.
She lifts one hand and then the other. The blade
has done its work, they come to say; he will trouble her
no more. Her hands alone
deny this fact as, pausing at the virginals, her stare
is fixed on nothing. Straight ahead she sees him
kneel, the rise and fall
of no more than an hour ago,
that makes the measure bitter to her thoughts,
its music pointless exercise that she, from her position,
must resume. Her hands rest
on the keys. Black and white is how she sees it,
this curse attached to rank. Her ladies watch
as no word passes from her lips. She lifts one hand
and then the other. One note in precedence
begins it all again, a harmony restored.
from Reactions 4, UEA, 2004
THE MACHINE ROOM
Formerly in the Chambers Street Museum, Edinburgh
In there the future turned to meet the past.
A child's reach away found pace and motion,
life made vital and intense, involving
all who watched in some conspiracy beyond
the present tense. The power of motors spun
a web of sleight deceit as steam enveloped
mind, imagination and belief. Mines
worked the cages, pistons hissed and spat beneath
the glassy sheen of life. Ships turned the screw
while locomotives led to transports of delight.
In there the future, turned to meet the past,
suspends the present while the motor lasts.
from Present Poets, Museums of Scotland, 1998
BACK AT BASH STREET
He’s grilling a kipper he’s pronged on a fork
in front of the staffroom fire. His missus,
she’s dropped him right in it again, gone off
to her mother’s – left him to cope. Next frame
he’s discovered and mocked. He’s forgotten
the kids he’d told to report and they find him
alone with his tea. Lonely old Teacher, quite
down in the mouth, a martyr to ulcers and gout,
but fond of red herrings, a pickle or two,
found out by his pupils, the worst of the crew,
who won’t let it rest till the end of the strip
when he’s sweating in buckets and ready to flip.
from New Writing Scotland 29, ASLS, 2011